Catching Dreams in the River of Sleep  2019

Installation exloring notions of boundary and division using the realms of sleep and dreams.

A single Heras fence panel is re-imagined as a net/gateway/screen between the here and there. Recorded accounts of dreams documented at the moment of waking are projected onto the fence panel by a pair of transducer speakers. The space is sonically augnemted by the 4-channel playback of water submersion, captured by hydrophone from the river Wye.

Questions arise from socio and interpersonal borders, realms of mystery and subconscious and the surrealist restructuring of everyday objects.

Presented /// 'Ongoing Exploration'. Sound Arts MA, Oxford Brookes University

Audiograft Festival  2018 

Audio / Video 

Installation work created in conjunction with Maltese Sound Artist Renzo Spiteri. Audio from a series of found tapes have been chopped and layered with images from the fusion arts centre, Oxford.

Presented at /// Fusion Arts Centre. Oxford 

www.renzospiteri.com

Footfall  2017

Footfall is an installation which explores the soundscape of the exhibition event, by amplifying the minutiae of sonic information available during its realisation.
Footfall examines how the exhibition space is a rich sonic environment containing a myriad of micro-movements, physical vibration and discrete voices.
Footfall is an interactive experience which allows the participant to alter and inhabit a soundworld of their own design.
Footfall allows the exhibition space itself to present its own dialogue for engagement and exploration, and invites the participant to converse directly with the exhibition as an organic form.

Presented /// 'A show about a show'. Scaffold Gallery. Manchester

Babble Streams & Cicada Routes  2017

Multi-Channel Sound Installation

Sound work based on collected and composed audio from a recent trip to North America. Audio snippets have been collected and composed into a multi-channel installation, which is played back into a space where position and location will offer a varying sonic narrative.

Presented at /// Deep Wireless Festival. Ontario. Canada.  Feb 2018

                            High Street Studio. Swansea. Wales. Sept 2017

Alder Hey Hospital Liverool  Hydrotherapy room  2016

Catrin Jones, Dan Linn-Pearl and David Pearl are a video, sound and light installation artist team, collectively entitled ‘Immersion’. Film, music, sounds and lights have been coordinated to create a unified and congenial experience for the new hydrotherapy pool.

www.david-pearl.com

www.catrinjones.co.uk

I Can't hear myself think  2015

Multi-Channel Sound installation exploring the inner monologue. It attempts to consolidate the privacy of the inner mental places, and reflect the confusion that takes place inside the mind. The piece explores what can be ‘heard’ in a non-audible fashion, exported to public attention in an attempt to engage with the intimate self.

Wick Jetty  2014

Sound & Video Loop, Shell.

Terry Nixon said to me that, 'she loved these quiet afternoons in the wick, because you could hear the sea'.

The A12, driving inland from the sea at Great Yarmouth, gathering jellied Eels through the satellite towns of Essex, to the plastic factories of Hackney Wick where dinghies are floated, and then onwards to the Blackwall tunnel, disappearing underground.

Tunnel of Light  2012

Stained Glass, Recovered Mining Tunnel, Sound Playback Device.

Installation piece created for Amber Hiscott's MA Stained Glass final show. Amber's paintings, inspired by the neolithic Paviland Cave on the Gower Peninsula, were exported to Stained Glass panels, which were in turn installed onto a section of mining tunnel. Sounds of waves and rocks in and around the cave were recorded, then composed into a soundscape which was played back into the space.

www.amberhiscott.com

Edited Image 2013-3-27-17:5:49

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